“Having a really good 1:1 macro lens with a modern UV coating, and good coating on it, is I think the first most important thing to get. Lenses with extension tubes, or older macro lenses are all prone to flaring, which creates color casts and reduces image sharpness. But if there’s one piece of equipment that is the most important, it’s the Macro lens. The macro lens is the most important part of the DSLR film scanning setupĪccording to Nate, most bad results come down to the negative scanning setup.
NEGATIVE LAB PRO VUESCAN PRO
Video can’t be loaded because JavaScript is disabled: Negative Lab Pro creator tells his SECRETS for making great negative scan conversions () Ribsy’s video made from our chat with Nate from Negative Lab Pro. Here’s my 11 biggest takeaways from our chat. Negative Lab Pro changed that by integrating a method of converting negatives into positives using Lightroom Classic, which is the default editing and cataloging program used by photographers everywhere.īut even Negative Lab Pro has some quirks, and is notoriously difficult to understand off the start. Last week I was able to sit down with YouTube’s Ribsy and Nate from Negative Lab Pro to have a chat about how the program works, and what users can do to make the best scans possible. Scanning apps like the Epson Scan, and Silverfast make it practically impossible to create consistent results, even when two negatives were shot in the same light on the same roll.
NEGATIVE LAB PRO VUESCAN SOFTWARE
This piece of software that works inside of Lightroom has been the key to making professional results on film accessible to photographers everywhere.īefore Negative Lab Pro, there wasn’t a way to create consistent results using the scanning software available at home.
One of the best tools that exists for film photographers right now is Negative Lab Pro.
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